Cinesamples Piano in Blue V22/15/2023 ![]() With a mind to the handful of historic pictures from the recording Kind of Blue our engineer Tim Starnes (Drums of War, HollywoodWinds, Cinesnares, Cinetoms 2, CineCrash) set up three sets of microphones. It was the last session ever recorded at Clinton. Much of the gear being used was already up on Ebay. We had arranged to extend the closing date of Clinton by one day, just ensuring us enough time to sample this extraordinary instrument. This book pushed us across the threshold and the vision for this session started to become a reality.Īs Patti headed back home to put the finishing touches on the Seattle project Barry caught a red-eye that night for Manhattan. Mike and I walked over to secure a copy of Ashley Kahn’s paperback Kind of Blue: The Making of the Miles Davis Masterpiece. Although I had previously worked at the this studio I was never aware that the grand in the corner was the “one piano” used in so many of my favorite recordings.Īt the time we were in Seattle conducting some non-cinesamples recordings. As the conversation drifted from the saddening state of affairs for large stages we came to talk about why this particular stage was a special place. A friend of ours, John Davis, did a scoring session at Clinton and let us know about the closing as this day was to be the final date. ![]()
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